I have always admired Harley’s decision to call one of its bikes “Fat Boy”. When I first heard the name back in 1989, I laughed. Harley was surely taking the piss with a model-name like that.
I tried to rationalise what designer, Willy G Davidson, and his mate, Louis Netz, were thinking, or smoking, when they came up with the name. I was smoking all sorts of stuff back then myself. Which explains why I somehow accepted the theory Harley had decided to celebrate the nuking of Japan with the Fat Boy.

The theory went like this: In 1945, the Enola Gay dropped a bomb dubbed “Little Boy” on Hiroshima. Three days later, a bomber called Bokscar dropped a bomb called “Fat Man” on Nagasaki. The bombs had yellow zinc-chromate on them. The first Fat Boy was silver with yellow highlights. It was 1990 when the Fat Boy appeared, 45 years after the bombing. Harley’s V-Twin has a 45-degree configuration.
It made all the sense in the world when you’re 15 cones into a serious session and you’re using the bong as a microphone to hold forth to your red-eyed mates.
That aside, I thought the first Fat Boy was gorgeous. I thought the name was silly, but the bike sure looked full boss. It was a solid part of the then-new Softail revolution, and when Harley gave Arnold a Fat Boy to ride in Terminator, its success was assured.

I couldn’t buy one, but damn, I wanted to. I was still deep in Shovelhead purgatory, and poor as a church-mouse.
The first Fat Boy proved to be a huge sales success, but its shortcomings were quickly evident. Its beautiful 16-inch solid alloy wheels delivered some wondrous handling characteristics to the rider. A solid side-wind sent it crabbing across the road, and it dealt with corners the only way those wheels would permit it to, ie. Breathtakingly.

Did any of us care? Fuck, no. Harley’s didn’t handle well back then anyway. We all knew that. We rode the shit out them anyway. The Rubber Glides with their twin rear-shocks were…well, OK, I guess, in relative terms. But the Softails? They were…um, “exciting” to punt hard. Let’s just leave it at that. The point is we all understood their handling limitations. But we bought them anyway – because outlaw.

Anyway, its now 2026, and the Fat Boy is not the bike it was in 1990. No Harley is. The Fat Boy now runs 18-inch hoops and its 240 rear tyre is fatter than the 160 front tyre. Since the original Fat Boy had a pair of 16s running identical-width 130 wheels, handling has been vastly improved.
Yes, I understand it’s still no Panigale. And it’s no FXLRS. Or Street Glide. Or even a Breakout. Both the FXLRS and the Breakout share the new 2026 Softail frame, but they are very different-handling bikes.

The Fat Boy is the most different-handling of them all. But that’s fine. No-one who buys one is the slightest bit interested in carving bends. The Fat Boy makes a whole different statement and speaks a very different motorcycle truth.
Freddy understood. Fat-bottomed girls do indeed make the rockin’ world go ’round. He then demanded we get on our bikes and ride. Great song.
And the Fat Boy is a great bike. For all the reasons that make a bike great. Those reasons don’t even make any sense. None of them are remotely practical. None of them are rational. The rockin’ world is none of that.

I would suggest that if you’re buying a bike for sensible, practical, and rational reasons, you’re maybe missing the point of what makes a bike truly great.
Think about it. Consider the “great” bikes. The bikes that have become icons. The Ducati 916. The VMAX. The GSX-R1000. The MV Agusta F4. The Z900. The Rocket 3. There are a whole bunch of others, of course. None of them had anything to do with rationality or practicality. Not one of them was sensible.


Rational, practical, and sensible is the province of the GS, the V-Strom, and the MT-09 Tracer. The GS is probably the best bike on earth. It does everything brilliantly. But it’s not cool, is it? It does not make you feel like a bad-arse, does it? Rational, practical, and sensible bikes are tools designed for a specific job. The GS certainly great, but in a very different way to a Fat Boy. One appeals to your responsible grown-up brain. The other forms a crime-family with your bright-eyed monkey brain.
It’s why some men marry crazy hot strippers and some men marry tubby housekeepers.
The Fat Boy is that crime-family conspiracy. It’s the hell-sexy stripper you hooked up with.


It looks fat, mean, and sassy. It rides fat, mean, and sassy. It makes a statement. A fat, mean, and sassy statement. And while that statement may not be the one you wish to make, it is certainly the statement a lot of folks very much wanna make.
When it first came out, the Fat Boy was most definitely style over substance. Much more substance has been added to it in 2026. Yet it still retains that ineffable bad-arsery that sells Harleys year after year. People still very much want that particular motorcycle truth.


If you’ve read this far, I guess you’ve figured out this may not be the bike review you were expecting. I haven’t given you a single horsepower number or Newton metre thing. I haven’t told you what it weighs, or how much petrol it carries.


And I haven’t told you any of that because I do not give a shit about any of that. And no-one looking to buy a Fat Boy gives any kind of shit about them things either. If I was running Harley’s website, all I would put on the Fat Boy specs-page is: “It’s fat and you gotta put pipes on it so it thunders, then go and get laid.” Done. Finished.


The Fat Boy is rock’n’roll. It does not ever have to make sense.




